~   

Dorothy L. Sayers

(via sarasilkwood)

(via mswyrr)

neil-gaiman:

How to Write a Novel.
And you know, this is pretty much everything you need to know. The rest is detail, most of which is irrelevant…

"

“Empowered” and “sexy” are not universally synonymous. That a woman is not a sex kitten does not mean that she’s any less comfortable or empowered or any of that stuff. See above, re: not a homogenous demographic. Stop making sexiness a universal demand. Let some characters be unsexy. And for f*ck’s sake, please, please stop drawing women who are injured, or dead, or being tortured, or punching bad guys, in sex-kitten pin-up poses. That is bad visual storytelling, and it is INCREDIBLY creepy. Let women be heroes for the sake of heroism. Women don’t have to be damaged or traumatized to be strong, or to want to make a difference. Corollary: Dropping rape into a backstory is not a panacea for making a female character complex and gritty.

Imagine you have a daughter. Imagine the kind of women you’d like her to want to grow up to be. Write them. Write women you’d want to be friends — really good friends — with. Write women you’d get in arguments with. Write women you’d be legitimately scared of. Write women like your mom, like your aunts, like your wife, like your friends, like your nieces and nephews and daughters and bosses and friends. We are not aliens… This, too, goes back to “doing things.” A lot of the time, male characters act, and female characters are acted upon. Let female characters make difficult choices — and sometimes choose wrong — and have struggles and the same real victories. Because without those things, they’re not characters; they’re just window dressing.

"

~   Rachel Edidin talks about portraying female superhero characters at Comic Alliance (via slutgrrrlinternational)

(via mygayshoes)

Ira Glass on Storytelling from David Shiyang Liu on Vimeo.

lynnwashere:

awesome message by Ira Glass of This American Life.

Truth all over the place.

artspotting:

Joseph Beuys, Batterie 1959

if it doesn’t come bursting out of you
in spite of everything,
don’t do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don’t do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don’t do it.
if you’re doing it for money or
fame,
don’t do it.
if you’re doing it because you want
women in your bed,
don’t do it.
if you have to sit there and
rewrite it again and again,
don’t do it.
if it’s hard work just thinking about doing it,
don’t do it.
if you’re trying to write like somebody
else,
forget about it.
if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else.

if you first have to read it to your wife
or your girlfriend or your boyfriend
or your parents or to anybody at all,
you’re not ready.

don’t be like so many writers,
don’t be like so many thousands of
people who call themselves writers,
don’t be dull and boring and
pretentious, don’t be consumed with self-
love.
the libraries of the world have
yawned themselves to
sleep
over your kind.
don’t add to that.
don’t do it.
unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
don’t do it.
unless the sun inside you is
burning your gut,
don’t do it.

when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.

there is no other way.

and there never was.

Opaque  by  andbamnan